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TONY
LUKE (Director Of Animation) originally founded Renga Studios in
1995 to develop characters and concepts created by himself and writer
Alan Grant and other collaborators for the emerging new
media markets of satellite TV and internet broadcasting. A trained stop-motion
animator, Tony stepped sideways into comics during the industry's boom period
of the mid-90's, bringing his manga and anime influences with him.
His first big break was in 1988 with the original version of Dominator,
a bi-weekly black-and-white photomontage strip running in the pages of rock
mag Metal Hammer, which detailed the exploits of an inter-dimensional
masked demon-rocker battling otherworldly evil forces whilst trying to secure
a record deal. Guest stars appearing in the strip included Ozzy Osbourne,
Anthrax and Zodiac Mindwarp.
In 1990, the prolific 2000AD writer Alan Grant approached Tony to co-write
a project with him for Marvel Comics' Japanese market: Psychonauts.
Drawn by artist Motofumi Kobayashi, the series was the first
manga story ever to be published simultaneously in Japan and the US. Whilst
attending the 1991 San Diego Comics Convention, Tony was approached by Japanese
publishing giant Kodansha to create a manga series for their
million-selling Comic Afternoon title, which featured such
influential series as Oh! My Goddess and Gunsmith
Cats. With Alan on script duties, Tony illustrated the revamped adventures
of Dominator in full colour, with top editor Hiro
Morita (recently of Akira) overseeing the project.
Dominator's success generated t-shirts, posters and a very
special crossover manga episode with Tsuyoshi, of the TV
anime series Get A Grip! Tsuyoshi, whose own series appeared
in Comic Afternoon's sister title, the weekly Comic Morning.
Nearly 1.5 million readers read the ensuing clash in what was the world's
first crossover between an established manga/anime chara and a UK-created
comic character...
Tony took a rest from Dominator in 1995 to concentrate on
scripts and art for 2000AD and the Judge Dredd Megazine,
and to draw the 12-episode Hellkatt for Manga Entertainment's
Guyver monthly VHS/comic package. He also dived into the
world of digital illustration, having been recommended the Apple Mac by industry
luminaries Buichi Terasawa (Takeru, Cobra) and Dave
McKean (Mr. Punch, Cages).
As well as directing several music promos over the years for bands including
Wolfsbane, Urusei Yatsura and The Hunters Club,
Tony directed the stop-motion sequences for Archangel Thunderbird,
a 30-minute pilot for the Sci-Fi Channel, in 1998. The show
was released under the Renga banner and gained unexpectedly high viewing figures
during its run; it was also the first time Tony worked with Doug
Bradley, who remains an active co-creator and participant in
Renga's productions. 'A T-Bird' also featured the kaiju designs of Yasushi
Nirasawa, whom Tony had first met in 1996 whilst working at Kodansha.
The surprise success of Archangel Thunderbird led Tony and
Alan to consider revamping Dominator for an animated movie
in 2000, with the added impetus of huge price crashes in the computer software
and hardware markets meaning that Renga (now re-christened as Renga Media
Ltd.) would be able to produce the animation 'in-house', without interference
from third-party production companies. A deal with the Sci-Fi Channel in 2001
enabled the production to go ahead, and the rest was history...
Tony and Renga Media have been profiled in a number of publications such as
SFX, Imagine, Meltdown, Bizarre, Animerica and Kaleidoscope.
TV exposure has included spots on the BBC (Jonathan Ross' Manga!
special) and Channel 4 (Sick and Twisted), with Emma B presenting
a longform profile in the mid-May edition of ITV movie show ScreenTime.
Other coverage has appeared, of course, on the Sci-Fi Channel and various
internet sites.
Tony does occasionally manage to get some time off, and can usually be found
working on his own musical scores and DJing at metal and alternative clubs.
He continues to illustrate when time allows, and has exhibited at several
galleries and exhibitions around the world. He has also lectured at the manga
and anime seminars organised by the Japan Foundation, and in May 2004 completed
the first of the Dominator specials, A Brief History Of Hell,
before taking his first vacation in five years. 2005 saw him direct the crossover
Dominator short with the Heavy Metal Magazine team, as well
as preparing the next full-length Dominator movie. He has also created the
covers for the Neil Gaiman comic Neverwhere with Glenn Fabry
for DC Vertigo Comics.
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